Immigration In The United States Essay Example | Topics and Well Written Essays - 2000 words

Immigration In The United States - Essay Example During this period the ban on Asian entry was lifted and all the nations were on an equal footing. This brought in an unexpected flow of immigrants from Korea, Taiwan, China, and the Philippines. There was a sharp and sudden increase in immigration from India, China, and Korea by 1980s and as a result, the population of Asians in the US started rising. As the economic and political condition in Vietnam deteriorated, the US government had no alternative but to allow them to enter the US. For different reasons, immigration from Latin America and Asia surged during the 1980s. It is also estimated that by 1990 there were additional 3.3 million undocumented immigrants living in the US of which 75 percent were from Mexico. In 1996, the total Mexican population in the United States was 7.15 million of whom 2.35 million or 38 percent were unauthorized. There was a backlash against the immigrants in the mid-nineties when the federal immigration law became punitive and restrictive. The immigra nts were blamed for the social and economic problems. There was a fear that Americans of European descent would become a minority and this projected shift is already evident in urban areas like Los Angeles and Miami (Massey, 1995). Immigration is changing the size and composition of major cities in the US. Card (2007) says that immigrants are usually drawn to expanding cities particularly to cities with historical enclaves of earlier immigrants. Immigrant arrivals increase the local population with a limited outflow of other groups.

Art Curation Research Paper Example | Topics and Well Written Essays - 2000 words

Art Curation - Research Paper Example With the accommodation of terms such as performative, or self-reflexive, it is clear that curating is no longer only about exhibitions. This form of discourse proves that curating is slowly turning into a visible, self-critical and transparent process. The rising transformation and visibility of the exhibition since the 20th century has encouraged students to develop a motivation for engaging with the history of curation. On one hand, the transformation narrows down to the foundation of new institutions that accommodate for the exhibition of contemporary art, increasing temporalisation of museums as well as expanding the art market with countless art fairs and gallery shows(Vogel, 2013)1. Besides the need to renovate museums and enlarge their temporary exhibition spaces for marketing and other economic-related reasons, an artistic engagement with the museum’s collection has become a critical requirement for everymuseum. Regardless of the fact that these strategies are based on permanent collections, the presentation approaches have replaced the atemporal collection displaythat is viewed as rigid and authoritative(Altshuler, 2012)2. On the other hand, the art exhibition is changing to an extent that it encourages us to appreciate a range of typologies that overshadow the conventional formats of solo, group or thematic shows. The discourse in art curation considers the growth of new artistic practices that include institutional critique or conceptual art(Bourriaud, 2002)3.